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1.
Interstate 00:17
2.
Paris 01:39
We spent New Year’s Eve in Terre Haute—counting down the hours in a hotel room. They all drank champagne and rang in the new year. I drove us across the border to Paris—Illinois, a small, sleeping town with no crepes or eiffel tower, only a taco bell at which we stopped. We rang in the new year once again in the parking lot and I drove us back, singing something about my first time in Illinois or how we never saw 12:45am on the first of that year, and we held the moment in our skin as the last fizzles of fireworks descended into the cornfields.
3.
Gage 01:03
Raced the freight train in Gage as it coughed on to Fargo as it coughed coal smoke Eventually the road branched away to the south and it was gone Pulled over by a church resting on cracked asphalt, a brick building beside a gnome hat and I realized that I had imagined it all.
4.
Sequim 01:27
Sequim is pronounced “skwim” and not like “sequin” as the locals told me. I traveled to Washington in a rain coat but the sun shone through my window of the Olympic View Inn that I booked solely so I could sit by rainfall and write... for all six days. On the last day of my visit I strayed north to the Strait of Juan de Fuca where I sat by a lighthouse and saw hues of blue and lilac, finally feeling a single droplet of water on my cheek— formed by lacrimal, forming all week.
5.
Convoy 01:58
On the ride across Ohio I slept from Upper Sandusky to Van Wert and awoke to dozens of tiny red light dots blinking in unison. At the rest stop in Convoy I watched in mesmerization and wondered what they were. Wind turbines a voice said from the back seat and suddenly I saw the spinning blades barely illuminated in the spacious night. They stopped just before the Indiana border and as we crossed I watched them fade away from the side view mirror until the sun began to rise and I slipped back into a tender rest.
6.
Buford 02:30
Warmth in the air pools in lungs eventually seeping into the heart, extending to handshakes and smiles between strangers and hugs and love between friends. I remember the cookouts with the neighbors each night, the honeysuckle by grandma’s pool and sucking out the honey until we were called inside for dinner. We snuck sugar cubes from her kitchen and gambled them off like poker players when we really just played Go Fish. Though each day was a special type of warm the leaves never changed, the green never faded to orange to brown to white. The friendly warmth never extended past white, and we were told never to pass the ivory fence or the world would get much darker. One day on our way to church we drove past the fence and I saw the sun still shining, steam rising from grills, children smiling and sucking the honey out of the honeysuckles.
7.
Springville 02:09
I took a hymnal from an old church but when I see a grave without flowers I go to the local florist and bring them back. The graveyard by Mitchell has a statue of Jesus and a bench to the left side—I find myself sitting on the ground to the right, even in post-Midwestern storm mud. My parents used to beat me with the Bible Belt and shout at me to listen to God but how can I listen if I cannot hear over their shouts? We have a book in our bathroom called How to Make Money Through the Grace of God and I can’t seem to understand that concept. I sit by the church on a hill and write, about how I live in a place where I am not free to simply find myself on my own, where I am told that the only acceptable world is here: a place where judgement of sinners gets you to heaven and leaving for good is considered a sin.
8.
Ventana 01:05
I made a home in the heart of this desierto dug into the arid sands with my fingernails and made walls out of saguaros. I deserted the idea of a roof because lluvia does not fall around here but deeply regretted it when I awoke in a pool of my own sweat. I weaved a roof out of yucca leaves and wallowed in the cool evening but deeply regretted it when I awoke under a blanket of serpientes de cascabel
9.
Leavenworth 00:40
Under a patch of the northern side of Leavenworth, off Sheridan Drive by the air field, two hundred ninety-eight soldiers lie in waiting, prepared to fight.
10.
Rapid City 01:57
The city that sleeps at nine and climbs silos arranged by pine the world surrounds us, empty, dinosaurs watching over the city to keep us from the bad lands, the black hills, I will wander aimlessly at midnight just to find a dim light flashing over a coffee shop, the only thing open in town. I curse the tourists, the too-rists, my dialect, this world separated from the world the girl who does not live here, she lives in Custer or away at the college across the state— everything is across the state, the six hour drive through vast nothingness and over the Missouri. This city is only here for its motorcycles and its presidential sculptures just twenty miles southwest at best, I’d never miss the milestones set down by a dozen failed relationships I’d settled for because I wanted more simply because they were close by, but now that I’ve seen the mountains in her eyes my heartbeat has become more rapid than this place and this state is just another thing we have in common.
11.
Atco 02:10
On New Years Eve through the snow through the woods, under the pylons and to a frozen lake. We walked on it and took in the Pine Barren silence. I thought I saw a bear—likely just tree shadow. We rang in the new year with pots and pans and screamed into the wooded void, scaring the deer and arousing the Jersey Devil.

about

Maia, in Greek mythology, is the daughter of Atlas and the mother of Hermes, the god of travel. Maia is also the name of my car, a symbol of my own travels and the place where I did much of the recording for this album.

The lyrics of the songs on this album are poetry from a poetry collection where I explored each state of the US within the text of each poem. This project is the result of a remix of the text into songs, in order to eradicate the stigma that poetry and lyrics cannot coexist.

Special thanks to:
Dr. Heather Lang, for assigning this project. It was a graded assignment that became a dream.
Dr. Karla Kelsey, for assigning the project that became my fifty-state poem collection in Advanced Poetry class.
My housemates, for dealing with my constant guitar playing (and frustrated noises every time I fucked up), and especially Jacob, for bringing me my audio interface that time at ten p.m. when I wanted to record vocals in my car.
Relient K and Julien Baker, for showing me what music is.
Dave, for providing me with the tools needed to record this album.
Luke Speers, Bryce Martin, and Abby Frederick, for being the narrative voice for a few of these.
My mom and sister, and my friends in Indiana, South Dakota, Texas, Illinois, NJ, and at Susquehanna, for believing in me.
And God, for listening to the poems and lyrics that don't make it to the page or audio track.

What this project has proved to me is that I can do this. The lyric writing on business cards, the years of failed guitar lessons, the fake CD inserts I've made—it's all led up to this. And this is only the beginning.

credits

released March 30, 2018

Written and mixed by: Valeri Lohrman
Album art: Luke Speers

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Louvena the Scout New Jersey

pop-rock, rocket pops, poprocks, indie stuff, indiana stuff, music to drive to or clean to or look longingly at the moon wishing you were there instead of earth to

Louvena the Scout is Valeri Lohrman.

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